mousingsmail:

Hong Kong(Photographer: Keith Macgregor)

mousingsmail:

Hong Kong
(Photographer: Keith Macgregor)

22 Jul 2014 / Reblogged from orientallyyours with 5,299 notes


Dane Dehaan wearing a shirt with himself on it 

Dane Dehaan wearing a shirt with himself on it 

(Source: sourwolve)

22 Jul 2014 / Reblogged from thegestianpoet with 16,880 notes / thirrrrst 

saatchiart:

These painterly works are actually photographs, created by Mark Lovejoy who first mixes printing inks on a press before photographing the results.

22 Jul 2014 / Reblogged from saatchiart with 1,168 notes

archatlas:

Lijiang Xu House Li Xiaodong Atelier

22 Jul 2014 / Reblogged from archatlas with 1,159 notes

fuckyeahbrutalism:

Scarborough College, Scarborough, Ontario, Canada, 1964-66
(John Andrews)

fuckyeahbrutalism:

Scarborough College, Scarborough, Ontario, Canada, 1964-66

(John Andrews)

22 Jul 2014 / Reblogged from fuckyeahbrutalism with 1,169 notes

detailsofpaintings:

Jan Van Huysum, Flowers in a Terracotta Vase (detail)
1736-7

detailsofpaintings:

Jan Van Huysum, Flowers in a Terracotta Vase (detail)

1736-7

22 Jul 2014 / Reblogged from detailsofpaintings with 870 notes

Tatiana Trouvé 

gasoline-station:

A-frame near Snæfellsnes, Iceland
Contributed by Julia Mai

gasoline-station:

A-frame near Snæfellsnes, Iceland

Contributed by Julia Mai

(Source: cabinporn)

21 Jul 2014 / Reblogged from gasoline-station with 2,362 notes

The Portraitist

seinfelt:

George decides that he doesn’t have to try to improve his poor driving abilities because it means that other drivers are on average far more skilled than he is and thus better able to avoid bad drivers like him. “It’s like herd immunity for driving. I mean, logically speaking, if I get better, then doesn’t that mean there will be more bad drivers on the road by comparison?”

Jerry tries to point out that George’s reckless driving increases the likelihood of accidents regardless of the overall aggregate of skills, but is interrupted by Kramer, who takes issue with the word “reckless”.

"Doesn’t the very word imply there will be less wrecks?" he asks.

"It’s ‘fewer’," replies Jerry.

"That’s what I’m saying!" wails Kramer exasperatedly.

Elaine dates a painter who persuades her to pose nude for him. She is initially flattered, relishing the attention as he paints portrait after portrait of her in various poses. When he finally shows her his completed works, she is horrified to discover that he has not only depicted her with insultingly grotesque sexual characteristics, he has also placed her into ridiculous and embarrassing fantasy scenarios filled with goblins and faeries featuring himself as her nude — and equally preposterously endowed — knightly savior.

George’s carelessness inevitably results in a catastrophic traffic jam. Trapped in the gridlock is a delivery vehicle on its way to bring Elaine’s boyfriend’s paintings to a gallery opening. They never make it in time. Though she doesn’t admit it out loud, she is relieved about the art van delay.

17 Jul 2014 / Reblogged from seinfelt with 230 notes / gatdam 


- It’s about flights of fantasy. And the nightmare of reality. Terrorist bombings. And late night shopping. True Love. And creative plumbing -
Brazil (1985) - Terry Gilliam

- It’s about flights of fantasy. And the nightmare of reality. Terrorist bombings. And late night shopping. True Love. And creative plumbing -

Brazil (1985) - Terry Gilliam

17 Jul 2014 / Reblogged from pillem with 8 notes / fave 

sirosis:

"dressing right is de rigueur," self service 2004photography by david armstrongstyling by panos yiapanis

sirosis:

"dressing right is de rigueur," self service 2004
photography by david armstrong
styling by panos yiapanis

16 Jul 2014 / Reblogged from shoulderblades with 8,634 notes

"Most of the world’s exploited labor comes from women. Women work in the sweatshops and the giant factories. Women sow and tend and harvest the world’s crops. Women carry and birth and raise children. Women wash and clean and shop and cook. Women care for the sick and the elderly. All of this - layer upon layer of labor - is what makes human society possible. Ripping it off is what makes capitalism possible."

Exodus and Reconstruction: Working-Class Women at the Heart of Globalization (via amodernmanifesto)

16 Jul 2014 / Reblogged from quoms with 4,103 notes

(Source: murdeur)

11 Jul 2014 / Reblogged from idontwantrealism with 38,384 notes

artchipel:

Conrad Jon Godly - Sol. Oil on linen / cotton, 90x60 cm (2010)

artchipel:

Conrad Jon Godly - Sol. Oil on linen / cotton, 90x60 cm (2010)

24 Jun 2014 / Reblogged from artchipel with 486 notes

artchipel:

Conrad Jon Godly (Switzerland)

An inner knowledge of the essence of mountains grows in us when we look at Godly’s paintings. And it is precisely such internalized knowledge of the mountains that the Swiss artist has continually brought on to the canvas. Godly paints such works exclusively, basically always the same - pictures of mountains in all kinds of weather, sometimes only of rocks formations, big, small, very big and very small paintings - and nothing else really. (cf. What is a mountain? by Philipp Meier)

© All images courtesy the artist

[more Conrad Jon Godly | artist found at nearlya]

24 Jun 2014 / Reblogged from artchipel with 4,966 notes